All Depraved take a stand against bullying

Bullying someone is no fun. It hurts the person heavily inside. You can see no scars because it's all "just words" that have damaged someone so bad.

I'm sure a lot of people in today's society suffer psychological problems caused by bullying. It's such a bad thing that needs to be spoken of far more in public and most of all removed.

The All Depraved put out a song with a important subject.

I'm glad thrashers All Depraved picked up this topic and put out a song with a proper title. People who commit bullying really "Don't care what's wrong or right" anymore. I hope this song helps to make more people sensible that this is a serious problem. 

If you see someone who is affected by this please them. Show courage and don't look away - fight against bullying!

Musically it's packed in a fat riff that spreads a lot of positive up-powering energy. You can hear the fun the musicians transport with their performance. I think they had a lot of fun putting the song together. Throughout all the heavyness you'll spot lighter moments that let the song breathe and prevent it from becoming monotone or overloaded in just one style.

Make sure to follow the band on Facebook. I'm sure they will have to say a lot more in the future. 

Interview with Norman Skinner (Vocalist of Niviane, 2021)

Norman Skinner came to my attention the first time as I listened to Niviane's album "The Druid King". I liked the power of the voice also the songs felt a bit overloaded to me. The powermetal band left my attention but some time later the "The Rutheless Divine" album knocked at my door and the far more straight forward and direct sound brought me back to them.

Around the same time I found out that Norman Skinner also performs in several other band's and projects so I thought it would be great to have a short talk with him. He gave us a very first insight into the upcoming albums of Niviane as well as his Elemantis project. We also go back to the very beginnings and talk about his very first steps into the music (very cool story, I think I never got such a great response before).

Norman Skinner is able to sing on a wide range.

Heavy Metal Underdogs: How did you start out with singing ?

Norman Skinner: It was actually by complete accident. I had friends that were going to play the high school talent show. They weren't an actual band, just a group of guys jamming for this one show. A couple weeks before the show their singer bailed on them and I just happened to be the guy that was hanging around. I had never sang before and I believe they asked me out of desperation and\or convenience. I was always up for a good adventure so I agreed and was hooked ever since. 

You are active in many bands and projects. How do you manage to keep your voice in good condition ?

The fact I am and always have been involved in multiple projects helps to keep my voice conditioned. I am always singing & recording so it stays nice and strong. 

How do you pick the topics for the lyrics you write ?

It is completely random. I gather inspiration from movies & TV, history & mythology, personal experience & situations\observations of those around me. I never go into writing a song with an idea of what it will be about. I 1st hear the music and discover the mood it sets and go from there. 

How would you describe the evolution of Nivianes sound between the album "The Druid King" and the second output "The ruthless divine" ?

The Druid King was mainly composed of music written by the individual members prior to the band being formed with the exception of 1 or 2 tracks. I took those tracks and put melodies & lyrics to them. The band was still finding our collaborative sound on that album. The Ruthless Divine has a much more cohesive sound which is also more technical and overall heavier. The 1st album was a nice out of the gate effort and production-wise sounded more polished and the new album was more modern sounding.

A new Niviane album is currently in the works. What can the fans expect of the new material ?

Yes, we are working on the details of the last 3 songs before we enter the studio next month to track drums for an untitled 3rd album. Fans can expect more of the same in terms of style. The heaviness is still there as well as the dynamics our fans have grown accustomed to. We did however try to concentrate on the chorus hooks a bit more this time around.

Can you give us any closer idea on how Norman Skinners Elemantis could sound like once it's out ?

The Elemantis project is a very diverse project in terms of sound. It really combines Symphonic Metal w\Traditional & Power Metal. 22 track concept album with a lot of guest musicians & vocalists. The songs range from acoustic ballads to heavy driving tracks and everything in between.

Listen to Norman's performance on a Niviane track called "Crown of Thorns".

Fatal Opera sends some light with new single and album towards us

In all of the uncertainties of times we're living in music always shone a light for me. It contains my hope and keeps me pushing on forwards.

This goes even more in these days for me. So it was a massive highlight as I got the info that a brand new track by experimental progressive metallers Fatal Opera surfaced. 

Almost 20 years after the initial recordings, a brand new Fatal Opera record see's the light of day.

It's not "just" a song. It lives and breathes the typical soul of a song by this particular band. The many timing changes, the dark tonality, the unique lyrics but most of all a glimpse of uplifting positivity is what keeps me sticking to this particular band. There are also few slower parts that add to the great atmosphere - these lay the foundation for a even heavier next part of the single.

"The Raven" holds all of this. Plus it is some sort of reunion. David Ellefson contributes the bass guitars while Chris Poland can be heard on the six strings. Don't wait any longer and go straight to the music.

But we're even graced with more good news as as full new album by Fatal Opera also shines now on Spotify. Read all of the story below, I think a lot of the history guys out there will love to know how the story around Gar Samuelson (R.I.P.) moved on after he left Megadeth back in the day.

FATAL OPERA 3 can be streamed here:

https://open.spotify.com/album/4jOX9voVjVxg6PNPTPda7G

Following his departure from Megadeth in 1987, Gar Samuelson assembled his new band Fatal Opera, along with his brother Stew on guitar. Gar went on to produce the group’s debut album in 1994, which also featured Dave Inman on vocals, Travis Karcher on bass and Billy Brehme on guitar. The group’s second album Eleventh Hour was released in 1997 and introduced Andy Freeman on vocals, reaching top 10 on European charts while the group continued building a loyal fan base touring across the USA that year. Sadly, in 1999 Gar became ill and passed away, at which point the group disbanded.

Then, in 2018 Andy and Stew set out to remix the Eleventh Hour LP and in the process discovered a collection of demos with Gar which were intended to become the band’s third album before his passing. Although the demo tapes were damaged after many years of neglect, Freeman labored to revive the tracks with some songs lost forever. However, he was able to complete 12 tracks, inviting Ellefson & Poland to participate on "The Raven" as a way to conclude the legacy of Gar and Fatal Opera.

Chris Poland recalls, “Back in the day, long before Megadeth, Gar and his brother Stew were the heart and soul of a heavy instrumental jazz/rock project called THE NEW YORKERS. I played guitar with them and Robbie “Pag” Pagliari played fretless bass. It was everything we could do just to keep up! Stew’s right hand was a machine. Flawless. And Gar was right there with him always pushing things to the next level. 

And again, these two brothers were the heart and soul of Fatal Opera. It was a privilege to be a part of this release, and playing on ‘The Raven’ with David Ellefson made it that much more special. Gar was a true artist. Be it his amazing drumming, his painting or his wood sculpture pipe (he made by hand). Gar was one of a kind. And here Gar, Stew and crew push the limits of experimental metal. These songs are complex yet accessible. Music with a dark side that draws you into their world and keeps you wondering 'what’s next!'” Chris Poland also added additional guitar work to the track "Mask of Time".

David Ellefson adds,“This is a really cool moment for Chris and me to musically reunite with our friend Gar, now almost 35 years after our last studio session together, which was the 1987 re-recording of 'These Boots Are Made for Walkin’ for the Dudes movie soundtrack, compiled by director Penelope Spheeris. Gar was always such a free spirit with his music, no click tracks or digital reinvention for him. And, he seldom played the same thing twice, quite unusual for heavy metal! He just went for it with real gusto and that became the hallmark of his sound."

He continues, "When I was laying down the bass track for 'The Raven' it reminded me once again of Gar’s spontaneity in the studio, as if we were recording live in the same room together. I’m super happy these tracks were brought to life so we could have one last go around with Gar behind the kit. It’s a reminder that he truly was one of the greats!”

Track Listing for Fatal Opera 3 :

1. The Raven (Feat. David Ellefson & Chris Poland)

2. Live Again

3. Mask of Time (Feat. Chris Poland)

4. Killers in the Night

5. Swept Away

6. Burning of the Midnight Lamp

7. 10 Years Gone

8. Little Sister

9. Salt

10. Rise

11. Wings of Pain

12. Jumped in the Pot

Fatal Opera 3 Line-up:

Andy Freeman – Vocals, Keyboard, Guitar

Stew Samuelson – Guitar

Billy Brehme – Guitar

Travis Karcher – Bass

Gar Samuelson – Drums