Showing posts with label tattoo designs. Show all posts
Showing posts with label tattoo designs. Show all posts

2/13/2016

Interview with artist Senyphine (2016)

Short Introduction

The female french freelance ilustrator cover & concept artist Senyphine works on a wide variety of fields. She is active in the character design as well as in environmental art, kid's art, comic strips, tattoo design and album covers. Her paintings speak of a very own language and breathe a own atmosphere. That's why I wanted to take a closer look upon the person behind the paintings and here is some nice look behind the scenes and explanation on her diverse portfolio of art.

A portrait of Senyphine, (c) by Senyphine, used with kind permission

Contact Data

If you would like to get in touch with Senyphine please use one of the links given below:

Website : http://www.senyphine.com
Facebook fan page  : https://www.facebook.com/senyphine
DeviantArt : http://senyphine.deviantart.com
Instagram : https://www.instagram.com/senyphine
Twitter : https://twitter.com/senyphine
Pinterest : https://fr.pinterest.com/senyphine

The Interview

Heavy Metal Underdogs: How did you start with painting? Was there something in your life that gave a initial start to this?

Senyphine: For as long as I can remember, I always drew and I never stopped drawing. Painting is cathartic for me. It helps me to turn bad feelings such as anguish or stress into a drawing. Very early and still today, I was fond of comic books, halloween / vampire legends and animation movies (Miyazaki, Tim Burton) and all of this influenced me a lot. Before living from my art, I worked in a metal / gothic record store and I naturally started to collaborate with musicians to design CD Artwork. The initial start was the album « Dusk and a embrace » from Cradle Of Filth. It was not a painting but I really liked the atmosphere that emerged from it. Also I admired ( and I still do) the work of Travis Smith ( Katatonia, Amorphis…)

This is the cover of the album The Great Promenade of Fools & Ghosts of the  Alternative / Musical Mischief / Psychedelic Punk Cabaret band MARQUIS OF VAUDEVILLE, from Dallas, TEXAS (USA) released in 2012. (c) by Senyphine, used with kind permission


How do you go along when it comes to creating a new picture?

Working for a variety of projects, the process is always different. If it is a commissioned work, I have the initial idea given by the client (the universe, history, the structure of the project). I started with rough sketch and I modified it according to the feedbacks in order to closely fit to the project. It is a real collaboration.
If it is a personal work, It is quite different as I have only an idea or just a feeling as a starting point. The details or the colors can change till the very end as I do not plan anything when I paint.

Having looked through your artist booklet (portfolio) on DeviantArt (the link opens a new browser window that directly displays the portfolio) seems that besides cover for music you also set a focus on computer games and illustrations for books for children. How did it all come together? Do you maybe also play computer games from time to time?

You are right, I work on a variety of projects and mostly on book cover and children’s book.   I have sometimes the opportunity to illustrate computer game but I don’t have much time to play to it  ;)  I think that it is a good thing to work on various  projects because you go outside of your conform zone, you push the limits, learn new techniques that you are going to adapt or use on another project. It improves your skill and it is also very helpful to step back on your work.

Picture of the unreleased browser game HEXAL, (c) by Senyphine, used with kind permission


Which painting techniques do you prefer? It seems to me as if you prefer a very fine and detailed look upon pictures when creating them - there's a lot of dedication to details in your work.

I was first exclusively a traditional artist and then I learned to use digital media. Mixing all the traditional mediums, numerated textures and playing with the layers on Photoshop. I always start to draw, paint (pen, ink, charcoal pen, watercolors, acrylic painting) and finish all the details on Photoshop with a Wacom Cintiq tablet.
It is a way for me to explore all the possibilities of each medium and to get the effect that will better fit to the mood. The colors depend on the atmosphere I want to give to the illustrations. The atmosphere is the most important element of my work because it is the very essence of it. And when I find it, I can focus on all the details of the picture.

Where do you draw your inspirations from?

Everywhere, I am curious. I get some inspiration from old legends about witches, Halloween, but also by Tim Burton's movie or by the books of Lovecraft and A.E POE, mangos, Comics, DeviantArt (web), street art.…  My travels through Spain, Egypt, Bali, Germany, England, Canada have all influenced my work in the designs of the houses, trees, perspective....For example, the picture "The Raven" has been painted just after my travel to Egypt. The position of the raven (profile) is reminiscent of Egyptian paintings. The shade of the house in the background was directly inspired by the city of Cairo; you can hardly see the houses there because of the pollution all these elements are inspired by the poem of E. A. Poe.

The Raven (c) by Senyphine, used with kind permission


Do you favor steampunk or other styles of art?

I have a passion for Leonard De Vinci and its wonderful flying machines and I like Jules Verne too.  So, when I paint personal work I usually design some steampunk  machines and characters. So, let’s say that I favor Steampunk style

The proportions of persons you paint are also often different to those in real life. Do you like the people to focus on the face rather than on other parts of a person or other elements in the picture?

No, I prefer that the people focus on the whole picture and the story / message conveys through it. I like to give a eerie atmosphere to my work, painting dreamlike landcapes or odd characters close to the fairy tales, children’s tales and fantasy litterature. So the caricature is a  good way to twist the reality and to enhance the pose and the facial expression of the character.

This a painting of the musicians of the band MARQUIS OF VAUDEVILLE  in a dandy zombie style included inside the booklet. (c) by Senyphine, used with kind permission


Contact Data

If you would like to get in touch with Senyphine please use one of the links given below:

Website : http://www.senyphine.com
Facebook fan page  : https://www.facebook.com/senyphine
DeviantArt : http://senyphine.deviantart.com
Instagram : https://www.instagram.com/senyphine
Twitter : https://twitter.com/senyphine
Pinterest : https://fr.pinterest.com/senyphine

7/11/2015

Interview with coverartist Andrej Bartulovic (AllThingsRotten.com)

Introduction

What have most of the releases that come out in common? Yes, nearly all of them have a cover that often is made of a artwork. Many of them come with a booklet that often also features illustrations with them.

The point for young and unknown bands is: who can they contact if they need such things? Sure there are the big names out there like Andreas Marshall (Running Wild), H. R. Giger (Carcass, Danzig) or Derek Riggs (Iron Maiden). But those are not affordable for those bands.

Happily enough there are freelance illustrators out there that can help bands to get a decent cover for a affordable price. One of them is Andrej Bartulovic, known as Maggotmaster and under the sign of All Things Rotten.

(c) by All Things Rotten, used with kind permission

Metal Underdogs would like to help bring all the people in the scene closer to each other and so we took the chance and had a talk with Andrej about his way into this job, his past band experiences, where he draw's inspiration for new covers from as well as his thoughts on today's modern and everywhere-present lyric-videos. If you're interested in setting up a interview please send me a message through the contact form at the right navigation bar or look my Email adress up in the Blogger profile.

Contact Data

If you want to get in touch with Andrej Bartulovic please use one of the links below:
 
Facebook page: https://www.facebook.com/pages/All-Things-Rotten/158201837535762
Email: contact@allthingsrotten.com
Homepage www.allthingsrotten.com

The interview

Metal Underdogs: Could you please introduce yourself a bit to our readers? (who are you, where do you come from, what are the things you focus mostly upon with your work - cover art, logos, booklets, shirt designs etc.)?

Andrej Bartulovic: I'm Andrej Bartulovic, known as Maggotmaster around world wide web I guess. That has been my screen name since late 90s. And no, it has nothing to do Slipknot, it's the name of the song by Nocturnal Breed (album "Agressor"). Born and living in Croatia for 35 years already. Working for bands mostly, but also doing tattoo designs, book covers, was also a concept artist. I do everything, I'm gun for hire ;)



How did you become a cover artist? What were your first experiences especially with metal bands?

I'm metalhead since I was 13. Always into horror stuff, be it literature, music, video games or movies. I was artist for video games first. Then I decided to bring together 2 things I like the most, my love for everything horror and music. My first experiences were really cheap or even free cuz I've had no portfolio whatsoever. Some of the bands I worked in the beginning were Fury (uk), Hellhounds (Fra) and Snowy Shaw... that was 6 years ago, I think but I can easily be dead wrong. I'm bad with dates, years..

In the process of creating ideas for a cover: do you sometimes pre-listen stuff from artists and they ask you to come around with an idea? Do some even send text-material or something to give you a better idea of what the record will be about?

Depends of the band. Some provide lyrics only, that's perfectly fine. Some provide music, even better but usually it's about description, text description of stuff they would like to see. Then I'm onto sketching, rough shapes.. we go back and forth a lot so we can minimize repairs and mistakes that may occur later on. Everything can be done in timely manner and properly if feedback is on time.

Which sorts of painting techniques do you use/ prefer?

I prefer more comic book approach, but I also do classic digital painting and photomanipulations. Again, depends what band is after. I don't have time to work in traditional techniques sadly. I really, really wanna do more of traditional stuff. But it's slow process and I'd proly had to charge more.

Could you also imagine to fuse your paintings with photography or do you prefer to keep things mutually exclusive to one style?

Actually I do some paint overs from time to time. As I work digitally (drawing tablet) everything is possible.

Do you prefer covers that have a message or do you like to have it a pure fantasy way?

I always prefer covers with symbolism over straight to the point art. But, again, it's usually not my call. If band has a specific vision I have to follow it. I think that symbolic elements lift the whole art to another level together with the music. But it also depends of the mood, sometimes you just wanna work on gory fucked up scenery. Really depends on numerous things. But the band has the last vote. I'm just a tool. Someone who's job is to make band's vision come to life.

Have you ever thought of setting up your work in a gallery for exposition / printing a book with a selections of artworks or an exhibition on events (think of open airs, festivals or shows)?

Well, I've had some exhibitions in my hometown...but that was, oh god, like 15,16 years ago, while I was working traditionally, for myself. One was called "Abominations - a tribute to trash", another was "Copycat". I'm actually planning to do an exhibition soon, but not sure exactly when. Those things require money and extra time. I wanna do it badly, I have a lot of things waiting to be printed. About festival/show exhibitions; well, if someone would call me I'd gladly accept the opportunity to come and show my stuff.

Do you also work on lyric videos? Some of them have a quite impressive "living" coverart in them.

Nah, takes too much time, at least it WOULD take much time from me because I didn't do any of lyrics videos ever. So I'd have to lear the software first. Personally, I don't like them, there's something really lazy about them. I totally understand that music industry is fucked and artists don't have the money to release video with every single. But dammit, I'm sick and tired of lyric videos. It's like screen is slaping you every 3 seconds and forcing you to read stuff.



Which other artists are amongst your favorites? Would you count these as sort of influence for you?

I always mention Greg Cappullo. I love that guy. He was an influence for sure. Others would be Ashley Wood, Giger, Bosch, ...heck, many more.

Are you still playing music? Which instrument do you play or did you play back in a day?

Nope. I was bad at it, really bad. I played rhythm guitar in a band. I was lazy as fuck, never practiced at home. Back then I thought it was perfectly fine, but man, I sucked ass so hard, haha!! Again, that was 16,17 years ago.

Thank you very much for taking the time to answer the questions.

Thank you for showing interest, your approach and the opportunity. Appreciate it! Stay naked!

If you want to get in touch with Andrej Bartulovic please use one of the links below:

Contact Data

Facebook page: https://www.facebook.com/pages/All-Things-Rotten/158201837535762
Email: contact@allthingsrotten.com
Homepage www.allthingsrotten.com