KKs Priest calls us to keep music alive and kicking

In these times we're living in it's quite easy to give up. So much seems to be lost and down. So I'm glad to see and hear that KKs Priest gives us a call not to let it all go to waste what we all love and believe in so much. 

The title track of the upcoming album has already been revealed.

"Stick further to the music and keep the flame burning" this video talks to me. 

Musically this track stems from all the classic material we all know but holds the power and pressure tight 'til the last second. The vocals Ripper Owens performs feel very concentrated and to the point without going on one's nerves with too many high notes. The more classic sort of production without overload on noise adds to the positive feedback the title track calls in me. 

The release of the Sermons Of The Sinner album via Explorer1 Music Group/EX1 Records will come on August 20. Fans are able to pre-order the debut album in various configurations including an exclusive limited edition autographed Metal Vinyl (Silver Disc) with bonus CD Album, via the band’s online store here: https://found.ee/KKsPriest. The album can be pre-saved via all global digital streaming partners as well. 

 

With Downing on guitar, KK’s PRIEST also features ex-Judas Priest member Tim “Ripper” Owens on vocals, who fronted the band for eight years and recorded two studio albums, Jugulator, featuring the GRAMMY® nominated track “Bullet Train,” and Demolition, plus two live albums. 

 

They are joined by Tony Newton (Voodoo Six) on bass, A.J. Mills (Hostile) on guitar and Sean Elg (DeathRiders/Cage) on drums. Original drummer, Les Binks, unfortunately sustained a wrist injury, but will make special guest live appearances when the band tours. 

 

KK’S PRIEST is set to tour worldwide as soon as current restrictions are lifted. Details of touring to be announced. 

 

Connect with KK’S PRIEST via… 

Website - www.kkspriest.com 

Facebook - www.facebook.com/KKsPriest

CD Review: Amelia - Amelia EP (2015)

What happens when two women dedicated to music come together to express their musical abilities? I think the answer is a quite hard but also melodic direct sounding Rock / Hardcore experience like Amelia deliver with their first EP.

Short Introduction

With strikingly similar styles fueled by passionate musicianship, Jenn Elizabeth’s (vocals/guitar) and Tessa Breitbach’s (drums) collaboration forged the rock/hardcore band, Amelia. With their energetic sound just breaking the horizon, the band based out of Oregon, stands to become an inspirational staple to the current music scene.

In March 2015, the band ventured to Michigan to record their first EP “Ameila” with producer Josh Schroeder. 

Amelia’s focus is on creating more than just an aggressively unparalleled sound, but a distinct voice. Jenn articulates the theme illustrated throughout the album, “The EP is about individuality – never giving up on what you love – your true passion – despite any perceived obstacles. Simply, just being true to yourself.”

The cover of the first Amelia EP, (c) by Amelia, used with kind permission

Summary

The five tracks on the first EP feature a hard and edgy sound. It's kept hard, direct and live sounding. The tracks show a lot of variations in them. You'll need to make several rounds to get to all the details that are put inside the music. You'll feel the agression, the energy that these both women have layed down on tape. It's really crushing und pushing all the time.

Through all the heavyness you'll still be able to catch up a lot of fine melodies and lot's of precise rhythm patterns. At some points I've asked myself how they've put all of this together. It must have really taken a lot of time to get to this tight form. It's a modern sounding recording no question The vocals range from softer tonality up to a rougher range up to the darkest growling at some points. I love all of the rough energy you can feel when listening to Amelia. It's as if they've captured their rawest and purest of emotions upon the disc sharing it along with their points of view.

EP overview

The EP has a very diverse structure. The first two tracks are a more complex thing as they feature a lot of variation in them. They'll won't kick you on the first listen but will grow with every spin more you give to them. It goes over to a rather more easy style with "Let Them Fight For It". The climax is reached with "The Truth Is" which will throw you upside down with all it's rhythmic heavyness along with great sing along and hard guitar riffing. The last number "Before The End" throws it out the roughest and hardest just at the very end of the EP. 

Player / Purchase Link / Tourdates

The album is up for free listening on Soundcloud. If you would like to have a copy then you can get a download of the EP on itunes. You can also grab it from digital stores such as Amazon or Spotify.

There also the possibility to purchase a physical copy on CD for five Dollar plus shipping and handling at the band's online merch store. There are also beautiful shirts and EP bundles up so don't miss this chance.


Amelia will do some local shows in the upcoming time, here are the dates.

3/12 Hawthorne Theater Lounge, Portland, OR
3/18 Tony V's Garage Everett, WA 
3/18 Studio Seven Seattle, WA
3/22 Analog Cafe and Theater, Portland, OR
4/14 Black Forest Eugene, OR
5/13 The Night Light Oakland, CA 

Contact Data

Stay in tune with Amelia: facebook.com/ameliamusic | Ameliatheband/Twitter

CD Review: Final Coil - Closed To The Light

Band Introduction

Final Coil are a metallic grunge band located at Leicester, England. They've put out various EPs / albums on Bandcamp which all represent a own style the band is capable to play so if you listen to the various stuff you'll be surprised to hear how different they can sound like.

The "Somnambulant" record they've put out in 2014 saw the band going into a acoustic direction offering very sensible and deeply-emotional songs. In the time between "Failed Lights", a brand new and in my ears excellent acoustic song saw the light of day on YouTube, it's a recording of a web-broadcast the band did a while ago.

Only few details on the next record were spread through Facebook in the meantime. But this will end today....

(c) by Final Coil, used with kind permission

Summary / Purchase-Link

Having heard the songs I've talked about above I was absolutely sure that the band would come around with another acoustic record. The new track sounded like a perfect fit, a bridge between the "Somnambulant" tunes and the beginning of a more progressive era of new longer acoustic tracks held in the typical Final Coil style.

The cool thing is: everything about this was totally wrong. :-) In fact what can be heard right here is the heaviest stuff the band has come up with today. I would call it the heaviest songs the band has put out up to this point. The guitars are absolutely sharp and ripping everything to pieces that stands in their way. Meanwhile the drums and bass guitar maintain a fine note of rhythm, giving in a hard, dry and deep punch into the sound. The vocals put a perfect layer over this, transporting much of the emotions of the tracks.

Everything is held in a very tight style, it's crushing heavyness coming from every corner of the sound. It doesn't even leave a single chance of easy sound on most of the tracks (the last song is a exception from that). If you like your music heavy and ultratight this EP will make you more than happy.

In fact I would call this a mixture of the first EP "Goodbye to all that" and their second effort "Live with doubt". Don't miss out this gem. The EP will be released on 2. November 2015. You'll be able to get a free listen / download for a first spin over at Bandcamp starting at that day. There will also be a limited edition CD available. Please buy one of the CDs so underground bands can keep making music and move on. It's worth listening to it numerous times, a EP mixing up all the various styles of the band and bringing them out in the most beautiful form. Progression and heavyness in all of it's beauty.

Player 

The fine thing as of today is that Heavy Metal Underdogs can give you exclusively a first listen of one of the tracks of the brand new EP. I'm very proud that the band picked my blog for this song premiere. It's a honour for me. So without further ado enjoy the track "Daylight Fades" right here.


Track-by-track review

A short intro called "Close to the light" gives in some atmospheric touches with guitar effects and some vocal extracts before a sharp guitar cut comes rushing in quickly leading over to the first full track.

While the first track "Daylight Fades" starts with a simple rhythm it becomes quickly clear that the band had a hard sound in mind when writing this track. The repeating of the text is a kicker in my ears. Especially the second "can't" repeated several times makes this harking back to your mind. Some of the guitar sounds even remind me of good old Jimi Hendrix and his special sound effects. The bridge between the first refrain and the second refrain could easily be described as a sonic guitar bomb. I love this effect! The end of this first song offers a compressed part that only slightly let's room for variations but those played kick the number up even higher. it's like a glimpse of light falling out of a dark mass shaping a form into the darkness for just a few moments but long enough to keep you longing for more.

"Goodybe to all that" picks up where "Daylight Fades" left off, showing what the band is able to do with re-writting a classic track. This incarnation of the track features a much more compressed and heavy guitar sound compared to the original track. Besides that it leaves away most of the playing effects of the 2010 release giving a sharper focus on the main-theme of the song. It shows impressively that reduction can be a fine way of giving a track a new and much heavier interpretation. Nevertheless it doesn't mean the song works only with cutting away things. Moreover these elements were added back again but in a different and harder format. It's now all distorted, yet you will need some fine playing skills to get to replay this I'm sure.

The final track "Closed to the light" is a surprise to the listener. It stands out of the other material giving some redemption after the brutal heavyness that stormed through your ears before. The song starts out softly with some drums and few vocals. The volume is rising all the while as the music slowly starts to build up more. The tonality is set softer, more dreamingly at this point. Much room for the more progressive site of the band on this one. This touches softly the "Somnabulant" era but with more punch and drums before some slightly heavy guitars keep coming in. The vocals are very intense with much drum fills performed to the last silent corners of the song. The last third brings in some heavyness in the guitar section giving some thoughts to the legendary Pink Floyd. A epic masterpiece in my ears. After all I'm listening to the whole record on repeat. It's a big pleasure to have the chance to listen to such a talented band.