Black JuJu Inc. offer new album on green vinyl

There are still wonders happening in this digital age... The coldwave metal band Black JuJu Inc. is currently taking pre-orders for a limited run of their album "Crosses and Crossroads" on green vinyl!

This fits perfectly to the optic of the album cover. The vinyl on demand service Diggers Factory gives the band the chance to release this edition. You can order here. Only if 100 pre-orders are reached the vinyl can be produced, otherwise you will be re-funded. There's a time frame ending in 29 days for the chance of placing your pre-order.

A look on the pre-order website for the green vinyl edition of "Crosses and Crossroads"

The vinyl will be numbered. Compared to the tracklist of the album, there is a song that changes on the vinyl. The song "Don’t Fear" will be in the tracklist of the vinyl and will replace the song "Rude Awakening". So you'll get a song that's not to be heard on the standard edition of the record if you decide to pick this rare item up!

If you've not heard the band before here's a track to check out. It has a cool riff and rhythm with it also the atmosphere remains tight with the ongoing guitarwork. The vocals give it a roasty note rounding out the package perfectly. It's for fans of Alice in Chains & Prong.


You can listen to more songs of the album on the vinyl pre-order campaign page.
Also check out the Facebook page of the band.

Over Nemesis take a catseye look across the stars

Album covers can be something that catches your attention. Some of them may call a emotion or a memory in your heart or your mind.

This time around the cover of Sludge metallers "Over Nemesis" packed me with it's mysterious and big eyes on it looking into a misty surrounding, maybe into a sky or something. It reminded me of the eyes of a cat. I love cats and their eyes share a beauty and look into a different world.

A look at the cover of "Wink". It has been integrated into a nice full background picture that could be a cotinuation of the initial print. (c) by Over Nemesis, used with kind permission

That's maybe something that connects to the music of the band that also leads into another place. Fans of the Black Label Society should feel home very quickly. So don't hesitate and have your own look "Across the stars". The use of "yeah" at the vocals reminded me of older days and was a warmly welcomed cheer up on this very Monday. Thanks for that!

This one is a teaser for the full album "Wink" coming August 31st 2018. The album is available for presale on the webstore of Music-Records.
Alternatively you can also pick it up once it's out from

► the stand of the band as a digipack CD

► On 150 digital platforms for download

► Distribued in Europe, USA, Asia & Oceania as physical edition

Tracklist :
1 - Saint Bâle
2 - Vault of Blindness
3 - Mario and Sergio
4 - Across The Stars
5 - She Become Calypso
6 - Inside
7 - This Man
8 - Tears
9 - Light Of Hopes
10 - Until The End

Keep a eye on the band through Facebook.

CD Review: Dö - Tuho (Dark Stoner Doom Metal/2016)

This album has a calming and positive effect on me. It helps you to distress from things and besides that comes with much variations in the songs.

Introduction

Dö is a dark stoner doom trio from Helsinki, Finland. The origins of the band go all the way back to 2007, but the current style has been developed only for a few years. The men behind the wall of sound are Deaf Hank (Bass & Vox), Big Dog (Guitar & Vox) and Joe E. Deliverance (Drums & Vox - 'E' stands for 'Epic')

The band's music is a genuine combination of stoner, doom, sludge with death/black metal twists here and there.  "Tuho" has been released in April 2016 and is the second release of the trio.

The cover of Dö's album "Tuho", Cover Art by Big Dog, (c) by Big Dog, used with kind permission

Summary

The record that comes under the title of "Tuho" (meaning Devastation) has a dark basic tonality no question. The vocals are black and doomy but the music has a constant movement and note inside of it. It's this continuous song structure that makes me feel positive about it. It's like that the songs go slowly but they always move along. They may never take big steps but you feel all along that they keep the direction. It's this permanent movement that makes me feel so good about it.

The first two tracks are typical for this style. The production is heavy and strong but there's also much clearness in the sound. The drums for example shine through fine and clear something that cannot be found too often in these musical style. Everblast II (The Aftermath) is a bit faster, yet it's still midtempo, something much welcome to me in times where music often tends to be played all just too fast.

Ex Oblivione is a surprise It's a slow track with a great melody inside and feels as if it has been written in a jamming session. But beware: it's a great song that unfolds slowly just to blast you away towards the end. One of the best tracks I've heard in a long time!

Kylmä is a bit mixed to me. A rough and edgy track but I somehow dislike it. I doesn't feel so harmonic through it's various parts in it so I don't like it as much as the other numbers on the record.

The album closes out with the shortest and the longest songs of the whole release. The first one Hail The Fire comes as a short clear guitar intermission - a welcome pause after the rough music in the track before. Forsaken Be Thy Name reminds me the most of the longtracks that Black Sabbath did release back in their early days. A mighty riffer with a jammed melodic and clear intermission part. You nearly don't notice when it's over that it was about twelve mintes long. A great way to round out a fine release.

Album stream

The full record can be heard from the Bandcamp widget below.



Purchase-Link

The album is available as a paid download on Bandcamp. If you decide to give a few bucks more you'll have the chance to get your hands on one of the CD-R copies. The price includes worlwide shipping so it could be a nice addition to your stoner/doom collection. It's well worth the money since I guess a lot of the fans of the mentioned genres will pick the album up often to have another listen and relax from the daily stress.

Contact Data

Be sure to keep in touch with Dö using Facebook or Twitter, maybe you'd also like to add them to your watch list on Spotify. They are looking for a label to release the album on vinyl so if there's someone interested out there - don't hesitate to contact them!

Band history of doom band Nest speaks of hope

Making music has never been easy. And in fact it still is like this these days. I cannot understand some people saying making music is free. It's not. You need to buy equipment, you need a rehearsal space (a lot of bands need to pay a rent for that) and in the end you need to make a record and promote it with a decent video. Everyone of these steps (and some more) needs to be backed finacially. Plus in the end you can never know if the people out there will like and buy your stuff.

But there are also signs of hope out there in the darkness. One is the story of the doom/sludge three-piece called Nest situated in Stockholm, Sweden. Read below how things went out for them and listen to their full record in the stream below.

It started in 2011 with two brothers, Fredrik & Jonas, and a riff. The riff is key, for it carries the song, driven only by understated and economical drumming. For this the band  needed the right drummer, but good drummers are few and far apart. The brothers happened upon a Frenchman named Dave, a drummer with death metal roots that brought that extra something to the fold. Nest was now a three piece. A band. The idea came to life and the riff became a song.

(c) by Nest, used with kind permission

A couple of riffs later, the songs became a set, and Nest played their first show at a bar called Snövit, known to play host to punk shows. People seemed to like it.

When the time came to record their songs, they knew that the heaviness was there but wanted to capture the raw nerve of the punk influences that might get lost in hazy riffs. They turned to their friend Mattis Rundgren (Makabert Fynd/Dissekerad/Kakafoni) for the recording. The result is the self-titled debut, released in 2015.

The band was now faced with a new problem: how to get that recording out into the world. Nest opted for a DIY approach, pressing CDs and selling them themselves, in hopes that they could sell enough to afford a vinyl pressing.

At a bar in Tilburg, Holland, during the Roadburn festival, Fredrik and Jonas met up with their dear friends, Craig and Andrew, from the new country across the sea, Since they, too, worship at the altar of the riff, they were given CDs and t-shirts. The words spoken after that went something like this:

Craig: So when do I get to hear this on vinyl?
Fredrik: When we've sold enough CDs and shirts to afford it.
Craig: If I start a label, would you consider letting me release it?
Fredrik: Yes. That would be awesome!

Not long after that Tribunal of the Axe Records was born, and the record was pressed.

If you'd like to purchase a copy on vinyl just head over to the Bandcamp page and get one of the limited physical releases or the digital version.

What I like in the band's sound so much is that they keep things raw and direct. It's not that much polished and it's kept simple and straight forward. If you like bands like Black Sabbath, Electric Wizard and the like I think you'll love this.

Make sure to stay in connection with Nest through their Facebook page or have a look at the label that helped them to do the vinyl pressing - here's the link to Tribunal of the Axe Records Facebook site.

Queen Elephantine add mediative elements to psychedelic music

One of the nice things when running a blog like this one is the chance to discover not only unknown bands but also sometimes unravel mysterious bands than go different ways than other combos do. One of them seems to be Queen Elephantine, a band which saw many lineups as well as changes of locations they are living in. Their vita lists New York, Hong Kong or Rhode Island as places where they made music and as different as these places are so is their musical journey going which can be called a collection of dark psychedlic tracks that have a deep meditative sphere in them.

Queen Elephantine live in Boston 2013, (c) Quenn Elephantine, used with kind permission

It's with a lot of pleasure that I can bring you one track of their recent output called "Omen". The whole record which the band speaks of as a EP has a playing time of around 70 minutes. It goes all in all in a sort of drone and psychedelic music direction outliving the extremes of the musical spectrum but I think people open to taking new courses in their musical journey will love to have the chance to discover something new and unique in here.

Don't let the unusual song structure confuse you - the track slowly builds up over it's duration. The drums keep a static rhythm while the guitars add to the monotone form. Slowly distorted vocals keep coming in and the whole procession moves on forward until some sort of climatic ending comes in.



If you like this track don't hesitate to head over to the Bandcamp page of Queen Elephantine and have a listen to the rest of the album. That's also the place where you can  purchase a copy of the band's current output. The album has been released through the French label Atypeek Music on further plattforms such as Amazon, or iTunes.

Also make sure to take a look upon the band's plattforms throughout the Internet such as Soundcloud, YouTube or go the traditional way and take a look at the band's homepage for more detailed info about 'em.